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is something that digital printing - the prevailing choice for most commercial work now - can't match aesthetically.
"It's a rich depth of color with so many different layers," Dan Fein said. "You've got brightness and vibrancy that's impossible to get through any other means."
This year's Marsalis family tribute is 14,000 limited-edition serigraphs, some signed by both the designing artist and the Marsalises. Its production at DMR, which has 12 employees and $3 million in annual revenue, took 21/2 months. DMR's other 2016 Jazz Fest project involved 5,[url=http://www.threeravensboutique.com/]cheap jordans for sale[/url],000 19-color posters.
"It's just a lot of very, very precise color matching to make sure we've got the nuances of what the artist was intending," Dan Fein said, wearing an ink-streaked lab coat during a recent interview.
This year's Jazz Fest poster artist is Paul Rogers, who also designed 2002's,[url=http://www.threeravensboutique.com/]cheap air jordans online[/url], which featured Wynton Marsalis.
That was two years before DMR got involved with the Crescent City's
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